Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Robert Feke
Tench Francis
Robert Feke1.jpg
ID: 04018

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Robert Feke Tench Francis


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Robert Feke

1710-1752 Robert Feke Gallery Robert Feke (1707 ?C 1752) was an American portrait painter born on Long Island, New York. Little is known for certain about his life before 1741, which is the year he painted his first portrait, Family of Isaac Royall. Sixteen portraits in total are known to be by Feke, and an additional 50 are disputed to be by him. His paintings are known for their sobriety and uniformity, but also for their rich colours and accuracy.  Related Paintings of Robert Feke :. | Portrait of a Woman | Anna Maria Aloisna Rosa Ferri | Tench Francis | The Reverend Thomas Hiscox | Portrait of a Woman |
Related Artists:
The Brunswick Monogrammist
active in Antwerp 1588 - 1629
Giovanni Paolo Lomazzo
1538 - 1600 was an Italian painter, belonging to the second generation that produced Mannerism in Italian art and architecture. Gian Paolo Lomazzo was born in Milan from a family emigrated from the town of Lomazzo. His early training was with Giovan Battista della Cerva in Milan. He painted a large Allegory of the Lenten Feast for San Agostino in Piacenza (1567). He also painted an elaborate dome with Glory of Angels for the Capella Foppa in San Marco in Milan. He also painted the Fall of Simon Magus in the wall of the chapel. Lomazzo became blind in 1571, and turning to writing, produced two complex treatises that are milestones in the development of art criticism. His first work, Trattato dell'arte della pittura, scoltura et architettura (1584) is in part a guide to contemporary concepts of decorum, which the Renaissance inherited in part from Antiquity, which controlled a consonance between the functions of interiors and the kinds of painted and sculpted decors that would be suitable; Lespingola offered a systematic codification of esthetics that typifies the increasingly formalized and academic approaches typical of the later sixteenth century. His less practical and more metaphysical Idea del tempio della pittura ("The ideal temple of painting", 1590) offers a description along the lines of the "four temperaments" theory of the human nature and personality,
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